by Jacob Jones Well, that was pretty crazy, wasn’t it? Of course, what couldn’t be crazy about the 2025 Oscar Nominations? It’s the Oscars; they thrive on crazy! All jokes aside, now that the Academy has finally unveiled their nominees for the Best in Film of 2024, it’s time to break open that pandora’s box and examine all the surprises and disappointments it holds. To start, the absolute disrespect towards Dune: Part Two by AMPAS’ choice to leave it out of Adapted Screenplay, Makeup & Hairstyling, Costume Design, Film Editing, and of course, Director, is an absurdity I will not stand for. The first film was nominated for 10 Oscars, winning 6, but an even better follow-up only gets half that recognition? I mean, I’m aware of what happened with Empire Strikes Back, but I didn’t think this new Academy was doing the same old song and dance by ignoring sci-fi and giving into such blatant recency bias. More to the point, though, Challengers receiving 0 nominations is a genuine outrage, especially in Best Original Score, in which Wicked seemed to take its place (and I can’t even begin to describe how irritating that is from a musical standpoint). Among other disappointments were Clarence Maclin missing Best Supporting Actor despite its unlikelihood, which indicated early that Sing Sing could likely miss Best Picture (thank you A24 for messing the release strategy up so spectacularly), and of course Emilia Pérez running the table with no less than 13 nominations to its name. The morning was not without its pleasant surprises, however as twenty-one of my wildcard picks – many of them hopefuls – did end up landing nominations in their respective categories, including Nickel Boys in Best Adapted Screenplay, Alien: Romulus is Best Visual Effects, and both Sugarcane and Soundtrack to a Coup d’Etat in Best Documentary Feature. Also, as it turns out, I was right to trust my instincts on a few things, namely that the international contingent of the Academy would show strong support for Sebastian Stan in The Apprentice (for which Jeremy Strong also received a nomination in Best Supporting Actor), and Flow – which comes to us from Latvia – would ultimately land nominations in both Animated Feature and International Feature. I also correctly predicted that September 5 would receive the fifth spot in the Best Original Screenplay category, and that Edward Lachmann would receive Maria’s lone nomination in Cinematography. By far the morning’s biggest surprise, however, came at the tail end of the announcement when the words “I’m Still Here” were read out amongst the nominees. Having not yet seen the film, I can’t comment on whether this is a pleasant or an unpleasant surprise, but it does re-enforce the one consistent thing about this entire awards season: how chaotic and distinctly inconsistent it has always been. Word to the wise: never underestimate the Brazilians, who not only catapulted I’m Still Here into the Best Picture category, but also secured a Best Actress nomination for Fernanda Torres’ work in the film. She now joins her mother, Fernanda Montenegro, who was previously nominated in the same category for her work in Central Station, which was nominated for Best Foreign Language Film at the 71st Academy Awards. It would seem now that she, and not Mikey Madison as had previously been thought, is the primary challenger to Demi Moore, whose Best Actress nomination for The Substance is just one of that film’s five (including Best Picture and Best Director for Coralie Fargeat). All told, the ups and downs of these awards races are sure going to be a roller-coaster ride all the way to the finish line when the Oscars air live on ABC and stream for the first time on Hulu on March 2nd. A full list of the 2025 Oscar nominees is below. BEST PICTURE The Nominees:
BEST DIRECTOR The Nominees:
BEST ACTRESS The Nominees:
BEST ACTOR The Nominees:
BEST SUPPORTING ACTRESS The Nominees:
BEST SUPPORTING ACTOR The Nominees:
BEST ANIMATED FEATURE The Nominees:
BEST INTERNATIONAL FEATURE FILM The Nominees:
BEST DOCUMENTARY FEATURE The Nominees:
The Nominees:
BEST FILM EDITING The Nominees:
BEST PRODUCTION DESIGN The Nominees:
BEST COSTUME DESIGN The Nominees:
BEST MAKEUP & HAIRSTYLING The Nominees:
BEST ORIGINAL SCORE The Nominees:
BEST ORIGINAL SONG The Nominees:
BEST ADAPTED SCREENPLAY The Nominees:
BEST ORIGNAL SCREENPLAY The Nominees:
BEST VISUAL EFFECTS The Nominees:
BEST SOUND The Nominees:
BEST LIVE-ACTION SHORT The Nominees:
BEST ANIMATED SHORT The Nominees:
BEST DOCUMENTARY SHORT The Nominees:
What do you think of these nominations? Anything you’re surprised to see or find absent? Any choices that delight you? Enrage you? Let us know in the comments section below, and thanks for reading!
- The Friendly Film Fan
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